Moroso has released 30 cement editions of the combined seat and table that Daniel Libeskind designed for Marina Abramovic’s live art piece, Counting the Rice, earlier this year. Libeskind’s design is a series of connected angular planes that form the back, seat, base, supports and tabletop. The work surface is angled down towards the user and features a small lip to prevent the grains from rolling off. ‘The slab of cement folds over itself, enfolding and pushing the body to carry out the performance, while the vigorous gestural expressiveness of the form is embossed across its surface with complex geometries that give a sense of visual fragmentation,’ said a statement from Moroso.
